11/14/15

Trevor Loudon to non-voting Christians: ‘Their blood is on your hands’

By: Renee Nal
New Zeal

Men in orange jumpsuits purported to be Egyptian Christians held captive by the Islamic State

Author and speaker Trevor Loudon believes that non-voting American Christians have contributed to the vastly under-reported persecution of Christians worldwide.

In an article written by Faye Higbee and published at “Uncle Sam’s Misguided Children,” Loudon pointed out that rampant worldwide Christian persecution could have been averted if America had not twice elected an anti-American president.

Trevor was quoted as saying:

There is a huge section of America that has the power to stop this – the Evangelical Christians.

Before WWII, the church, the moral authority of the nation of Germany, decided that if they left Adolf Hitler alone he would leave them alone. The result was the slaughter of 6 million Jews and hundreds of thousands of Christians and Allied lives. They could have stopped the Holocaust, but did nothing.

Today, ISIS and other jihadists have massacred thousands upon thousands of Christians across the Middle East. The blood of those people is on the hands of the church – those who refused to vote to stop Barack Obama from getting into office.

Read entire article here.

06/23/15

The Left Falls Victim to Another Hoax that Fits Their Narrative

By: Roger Aronoff
Accuracy in Media

Fake stories about conservatives are often too tempting for members of the news media to pass by, or fact check, and two UK papers were recently caught peddling one such story to their readers. Yet nowhere in their articles does it mention that they had even attempted to contact the subject of their ridicule, Pastor John Hagee of Texas.

Both the UK Daily Mail and the UK Mirror published stories regarding Christians United for Israel’s Pastor Hagee based on a fake report by a website called Newslo asserting that Hagee had argued that women saying God’s name during intercourse should be “prosecuted.”

“If it were up to me, I would put every single woman or girl who does that in jail,” Newslo quoted Pastor Hagee as saying. “That would be a fine example of God’s wrath aimed at what is, in my opinion, a terrible misuse of our Maker’s good name.”

ABC’s “The View,” has also been taken in by this con job, having a great time laughing and mocking Pastor Hagee. Whoopi Goldberg said, “Sir,” addressing Hagee, “I don’t mean to be a bonehead, but how do you think you’re going to enforce this?” It will be interesting to see how the bonehead producer who decided to put this story out for the ladies of “The View” will deal with it, once they become aware that they’ve been had. Can we expect apologies from the boneheaded line-up of “The View?”

Ari Morgenstern, Christians United for Israel’s (CUFI) communications director, and spokesman for Pastor Hagee, is demanding a full retraction from Newslo, calling this “satirical” website’s postings “defamatory.” Morgenstern told Accuracy in Media, “Every media outlet that reported this ought to be ashamed. The most elementary due diligence would’ve revealed that Newslo, the source of the ‘story,’ is a fake news outlet—kind of like The Onion but not funny. A freshman writing for his/her high-school newspaper would’ve been fired for less.”

After all, the only indications on the page that this story is fake are the “Check the Facts” and “Hide the Facts” buttons. The former function highlights in yellow the beginning paragraphs, which refer to Pastor Hagee’s preaching on scripture. The rest of the article, with the inflammatory statements, remains in white text.

Newslo openly bills itself as the “first hybrid news/satire platform,” stating, “Whenever you see #NNTS (No Need to Satirize), you’re reading COMPLETELY real news that only seems too absurd to be true.”

Apparently two United Kingdom papers, and ABC’s “The View,” couldn’t tell the difference between fact and fiction. Or maybe the content conveniently fit their liberal assumptions.

The Hagee post also does not feature the #NNTS hash tag at the end.

“Hagee did not go into detail on how women would be prosecuted if they were to be caught crying out God’s name during sex, nor did he explain why men would not be jailed for the same deed,” writes Kelly McLaughlin for the UK Daily Mail on June 21. (Update: The Daily Mail has now removed the article.)

The Mirror used similar language on June 20, ending with a survey asking whether people should “be locked up for using God’s name during sex.”

The absurd treatment now given to Pastor Hagee mirrors another incident in 2008, when the pastor, who has done so much valuable interfaith work bringing Jews and Christians together in support of Israel, was likened to Barack Obama’s vitriolic and anti-Semitic Reverend Jeremiah Wright.

“To assert that I in any way condone the Holocaust or that monster Adolf Hitler is the biggest and ugliest of lies,” said Pastor Hagee at the time. “I have always condemned the horrors of the Holocaust in the strongest of terms.”

However, sometimes reality simply doesn’t suit the liberal media agenda.

Morgenstern has contacted both papers, ABC and Newslo, yet as of this writing two of the three publications have not taken this disgusting content off their websites.

I also urge you to view CUFI’s website, and if you are passionate about Israel, as either a Christian or a Jew, this is an event worth attending. Their 10^th annual summit takes place next month in Washington, D.C.

[Update, 4:00 p.m.: After this was posted, The Mirror removed the story, and both the Mirror and the Mail (which had removed it earlier, as previously noted) are considering retractions. “The View” will issue an online retraction and apology, and will do the same tomorrow on air. We have replaced both The Mirror and The Mail articles with PDFs of their stories.]

05/12/15

Pamela Geller — America’s Churchill

By: Joan Swirsky
RenewAmerica

When Adolf Hitler published “Mein Kampf” in 1926, he spelled out his vision for Germany’s domination of the world and annihilation of the Jews. Germany would not have lost WWI, he wrote, “if twelve or fifteen thousand of these Hebrew corrupters of the people had been held under poison gas.”

In 1933, Hitler’s Nazis took power. The few people who had read Hitler’s manifesto and took him seriously fled in time to save their lives. But most – including most Jews – didn’t. Comfortable, often prominent, and fully accepted, they believed in German society and could not fathom that a madman actually meant what he said and intended to fully carry out his malevolent vision.

Even as things grew increasingly menacing – through Kristallnacht, book burnings, the stultifying restriction of civil liberties, the expulsion of Jewish children from schools, the construction of Dachau, Auschwitz, Treblinka, and other death camps – there were Jews and others who downplayed Hitler’s ominous threat. Worse, they derided and vilified those who took him seriously, calling them fear-mongers and haters and liars. Sound familiar?

Today, the entire world faces the threat of galloping Islamic terrorism. We see this every day in every newscast – grisly individual and mass beheadings, people chained in cages and set on fire, hundreds of schoolgirls kidnapped, raped, and worse; Christian churches burned to the ground with their desperate congregants locked inside; innocent cartoonists shot dead and their colleagues gravely injured in France, Jewish babies murdered in their cribs and strollers. Increasingly, we see “honor killings” in the United States, as well as other freedom-smothering manifestations of Sharia law.

What happened in Germany in the 1930s and ’40s is happening in America today, except the assault on our system is not coming from Nazism, but rather from radical Islam. The mullahs in Iran and their surrogates around the world stand at podiums and declare boldly: Death to America, Death to Israel! They tell us outright that their goal is to create a caliphate in which Sharia law is the law of the land, in which all infidels – anyone who does not practice or has not converted to Islam – are relegated to second-class citizenship, draconian taxes, and groveling servitude, if not outright enslavement. Some of our own elected officials echo their words. All of them, like Hitler, rely on apologists who flagrantly lie about this escalating threat. Shame on them!

During WWII, Winston Churchill was the proverbial canary in the coal mine, repeatedly issuing the earliest warnings to the Western world of Hitler’s psychotic megalomania and evil intentions. Again, few listened, while prominent, educated, and sanctimonious types derided and vilified Churchill and called him a fear-monger and a hater and a liar. Sound familiar?

Since 2004, when she founded the Atlas Shrugs website (now PamelaGeller.com), Pamela Geller has been our Winston Churchill, warning of the increasingly aggressive actions of radical Islamists, the terrifying acts they commit, and their fervent goal to eviscerate our Constitution and Bill of Rights – you know, those little documents that afford us spoiled Americans the right to say what we want, be it in speech, drawings, art, movies, and music, without fear of being murdered!

That is why, as journalist Jonah Goldberg points out, the First Amendment applies to things that people find offensive, for instance Andreas Serrano’s “Piss Christ,” in which the “artist” urinated in a glass and then placed a plastic icon of Jesus on the cross into it, or the Brooklyn Museum of Art’s exhibition of a portrait of the Virgin Mary, which was partly comprised of pornographic pictures and elephant dung.

As I recall, all the holier-than-thou hypocrite who are calling for Geller’s head were bleating their support of “free speech” back then.

That is also why people who cherish the First Amendment agreed that it was okay to have a loathsome Nazi contingent walk the streets of Skokie, Illinois (with its formidable Jewish population) in the mid 1970s, and why other protest movements have been so powerful and important: for instance Patrick Henry’s bold declaration, “Give me liberty or give me death”; the Yo No rebellion in Cuba against its repressive government; the Boston Tea Party’s “no taxation without representation” protest; Susan B. Anthony’s “illegal” vote for women’s suffrage; Henry Thoreau’s demonstrations against slavery; the history-changing actions of Dr. Martin Luther King, Jr. and Rosa Parks against racial discrimination…the list of heroic people sounding the alarms is endless.

Throughout history, all of these crusaders for freedom have been insulted by the cowardly accommodators among us, the appeasers, the apologists, and the deluded masses who thought, as Churchill said, that “the crocodile [of tyranny, fascism, murder, even genocide] would eat them last.”

Pamela Geller succeeded in literally flushing out the enemy within, two of the many jihadists in our midst. Only days after their failed assassination attempt, ISIS claimed credit for the attack and embarrassed our Department of Homeland Security into increasing security conditions at U.S. military bases and elevating the threat level in the U.S. to BRAVO – not the highest level, but pretty damn high!

But instead of praising Geller for her foresight and courage, cowards and apologists on both the left and right used the tactics of radical Saul Alinsky (described in his own manifesto, “Rules for Radicals”), which are to: “Pick the target, freeze it, personalize it, and polarize it.” Hurling gratuitous epithets and insults and lying are also in their repertoire.

But in spite of it all, Geller is not intimidated, because like Churchill she has truth on her side! She awarded First Place to a graphic artist who left Islam for the freedom that the First Amendment offers.

Still, it is clear that few people have learned the lessons of September 11th and the 14 years that have followed about the increasingly urgent need for vigilance against a deadly serious enemy, and for the equally compelling need to thank and to celebrate people like Pamela Geller for risking everything to protect our priceless freedoms.

As journalist and author Mark Steyn reminds us, “you’ve heard them a zillion times this last week: ‘Of course, I’m personally, passionately, absolutely committed to free speech. But…and the minute you hear the ‘but,’ none of the build-up to it matters.”

“…all the nice respectable people are now telling us,” Steyn adds, what Mohammed Atta told the passengers on 9/11: “Stay quiet and you’ll be okay.”

01/27/15

America’s Enemies in Hollywood Then and Now

By: Cliff Kincaid
Accuracy in Media

A Special Report from the AIM Center for Investigative Journalism

With the war on Islamic terrorism being portrayed as a righteous cause in “American Sniper,” the Clint Eastwood film breaking box office records, a book which documents the days when Hollywood was a mouthpiece for communist propaganda might seem out of date. But Allan H. Ryskind’s book, Hollywood Traitors, is a reminder that Hollywood can’t always be counted on to take America’s side in a war, even a World War when the United States faced dictators by the names of Adolf Hitler and Joseph Stalin.

The Ryskind book, published by Regnery, documents how the much-maligned House Committee on Un-American Activities, known as HUAC, uncovered dramatic communist infiltration of Hollywood and forced the studios to clean house.

Ryskind calls HUAC’s investigation of Hollywood in 1947 and 1950 “one of the most effective, albeit controversial, probes ever carried out by any committee of Congress.” He adds, “HUAC had revealed that Hollywood was packed with Communists and fellow travelers, that the guilds and the unions had been heavily penetrated, and that wartime films, at least, had been saturated with Stalinist propaganda. Red writers were an elite and powerful group in Hollywood—many of them working for major studios.”

He writes that, “HUAC, though bruised by elite opinion, had won the support of the American people and a victory over Hollywood Communists, fellow travelers, and the important liberals who supported them.” Members of Congress involved in HUAC did their jobs, in the face of opposition from “the East coast establishment newspapers” like The New York Times and The Washington Post.

The book reminds us that the Hollywood agents of Stalin had also been “Allies of Hitler,” a threat symbolized on the book cover by a Hollywood director’s chair featuring a Nazi swastika. The Hitler-Stalin Pact of 1939-1941 had paved the way for World War II.

As a result of the purging of communists from Hollywood, the so-called “blacklist,” we entered a time, from about 1947 to 1960, when the communists lost control of the major Hollywood unions and “the studios were actually creating anti-Communist pictures,” Ryskind writes. It was a remarkable turnaround.

But while Hollywood did turn anti-communist, at least for a while, the communists scored their own ultimate victory, succeeding in forcing Congress to abolish HUAC. The committee, which had been renamed as the House Internal Security Committee, was the target of what HUAC called the Communist Party’s “Cold War against congressional investigation of subversion.”

For many years, there was a comparable body in the Senate, which went by different names but tackled such matters as “Castro’s Network in the United States,” a 1963 investigation into the “Fair Play for Cuba Committee” that we later learned included JFK assassin Lee Harvey Oswald.

To those insisting it was somehow inappropriate to ask Hollywood figures about their “political beliefs,” Ryskind counters that “Few questions could have been more important for a congressional committee to ask than whether American citizens were actually serving as agents of a hostile foreign government.” He said HUAC was engaging in hearings designed to accurately disclose membership in the Communist Party, “a subversive organization controlled by an enemy nation and designed to turn America into a Communist country…”

In its battle against communism, HUAC had subpoena power and was not afraid to use it. HUAC also issued contempt citations against those who refused to testify completely and truthfully. All of the members of the so-called “Hollywood Ten,” who refused to testify about their involvement in the Communist Party, eventually went to prison.

Ryskind cites estimates that over 200 Hollywood Communists were named in this process. His book provides the Communist Party card numbers of the Hollywood Ten as well as the names of other “well-known radicals,” many of them overt Communists, who were active in the movie industry.

Bring Back HUAC?

Today, with dozens of leading conservatives now clamoring for congressional action to “Stop the Fundamental Transformation of America,” the Ryskind book may add to the impetus for Congress to reestablish a HUAC-style panel. The George Soros-funded Center for American Progress (CAP) acted frightened and alarmed in 2010 when Rep. Steve King (R-IA) expressed agreement with my suggestion at that time that re-establishment of such a committee would be a good idea. “I think that is a good process and I would support it,” he said.

The oath of office for members of Congress requires that they support and defend the Constitution of the United States “against all enemies, foreign and domestic.” HUAC is a model for how such a problem can be identified and confronted.

Donald I. Sweany, Jr., a research analyst for the House Committee on Un-American Activities and its successor, the House Committee on Internal Security, sees the need for such a committee. He has issued this statement:

“The re-creation of the House Committee on Internal Security will provide the Congress of the United States, Executive Branch agencies and the public with essential and actionable information concerning the dangerous and sovereignty-threatening subversive activities currently plaguing America. This subversion emulates from a host of old and new entities of Marxist/Communist revolutionary organizations and allied militant and radical groups, some of which have foreign connections. A new mandated House Committee on Internal Security is of great importance because it would once again recommend to Congress remedial legislative action to crack down on any un-American forces whose goals are to weaken and destroy the freedoms which America enjoys under the Constitution. In addition, this legislative process will provide public exposure of such subversives.”

Ryskind’s father, Marx Brothers screenwriter Morrie Ryskind, testified before HUAC about communist penetration of Hollywood that he had learned about first-hand through his involvement with the Screen Writers Guild. Morrie Ryskind had attended the Columbia School of Journalism in New York and written for Joseph Pulitzer’s newspaper World. But he underwent a political transformation, from an anti-war socialist who became disillusioned with FDR to a Republican determined to stop the communist advance. He wrote for conservative publications such as Human Events and National Review, which he helped William F. Buckley Jr. launch.

Morrie Ryskind helped found the Motion Picture Alliance for the Preservation of American Ideals to counteract the work of the communists and educate the American people about what was at stake. The Ryskind book also notes how the American Legion and various Catholic organizations were focusing attention on Hollywood’s far-left elements and making the public aware of this problem.

The book includes Allan Ryskind’s memories of his Hollywood upbringing, including meeting famous people such as top Communist Party leader Benjamin Gitlow. He spent decades as editor of Human Events, which was President Ronald Reagan’s favorite paper. It also became known for its aggressive reporting on the communist and socialist threats. Reagan so appreciated the weekly paper that he had arranged for copies to be sent to him personally at the White House residence.

Ryskind, who still serves as Human Events editor-at-large, documents the development of Reagan’s anti-communism in Hollywood Traitors. Reagan began his acting career as a liberal who got involved in Communist-front activities, later realizing that the “nice-sounding” groups he was supporting were secretly controlled by members of the Communist Party. He carried this understanding and analysis of the communist threat into his presidency and talked openly about the growing Marxist influence in Congress as he battled with congressional liberals and tried to stop the Soviet advance in Latin America.

In fact, as President, he told journalist Arnaud de Borchgrave in a 1987 interview that “I’ve been a student of the communist movement for a long time, having been a victim of it some years ago in Hollywood.” He said that he regarded some two dozen Marxists in Congress as “a problem we have to face.”

The problem is far worse today. Analyst Trevor Loudon now counts the number of Marxists in Congress at more than 60, a fact that would seem to make it more of a controversy to re-establish HUAC, but even more of a reason to do so. All it would take is more courageous members like Rep. King, backed by the House Leadership. Such a committee would be able to seriously analyze an area that remains off-limits to the House Homeland Security Committee, the House Intelligence Committee, and the Select Committee on Benghazi—subversive infiltration of the highest levels of the U.S. government, including the White House and Congress.

One key to HUAC’s success was finding those in Hollywood, including in the unions, willing to name names and identify the subversives. Reagan testified before HUAC and took a leadership role in defeating communist influence in the Screen Actors Guild (SAG), later becoming the union’s president. Labor leader Roy Brewer was another effective anti-communist in Hollywood highlighted in Ryskind’s book.

Although the 506-page book is based on HUAC hearings, Ryskind conducted independent research that adds to his case against the Hollywood traitors. For example, he combed through the historical papers of one major Hollywood-Ten figure, the Hollywood screenwriter Dalton Trumbo, who refused to cooperate with HUAC and expose his comrades. Ryskind reports on an unpublished script Trumbo wrote that treated the invasion of South Korea as a “fight for independence” for the communist north.

Trumbo wrote many excellent film scripts, including Roman Holiday, but was “a hard-core Party member, a fervent supporter of Stalinist Russia and Kim Il-sung’s North Korea, and an apologist for Nazi Germany until Hitler double-crossed Stalin and invaded the Soviet union,” Ryskind notes. “Yet to this day he is regarded as a hero in Hollywood.”

Almost on cue, as Ryskind’s book was being published, it was reported that Hollywood is planning a new film which glorifies Trumbo, starring Bryan Cranston of “Breaking Bad” fame as the screenwriter. The battle over communist influence is slated to return for another act.

Love for Cuban Communism

The book’s chapter, “Hollywood Today,” tries to bring the communism problem up to date by examining Hollywood’s love affair with the longtime Stalinist ruler of Cuba, Fidel Castro. He writes that much of Hollywood “is still lured by the romance of Marxism, and its films are still filled with heavy doses of anti-American propaganda.”

More details are provided in Humberto Fontova’s excellent books, Fidel: Hollywood ‘s Favorite Tyrant and The Longest Romance: The Mainstream Media and Fidel Castro.

I recently asked Fontova why a Stalinist like Castro gets fawning treatment, while the Stalinist North Korean leader, Kim Jong-un, is ridiculed in the movie The Interview. “My best guess is that it’s a generational thing, nostalgia mostly,” he told this writer. The Castros and Che Guevara, he said, are perceived as “the first hippies” or beatniks.

Indeed, The Longest Romance quotes The New York Times reporter who helped bring Castro to power, Herbert Matthews, as saying, “Castro’s is a revolution of youth.” Fontova adds, “The notion of Castro’s Cuba as a stiflingly Stalinist nation never quite caught on among the enlightened. Instead the island often inspires hazy visions of a vast commune, rock-fest or Occupy encampment, studded with free health care clinics and with [the hippie icon] Wavy Gravy handing out love-beads at the entrance.”

Perhaps the pro-Castro influence in Hollywood is something that a new HUAC might want to tackle.

Another issue worth investigating is how Hollywood has also come under the influence of radical Islam. For example, the 2002 film, “The Sum of All Fears,” which was the movie version of the Tom Clancy book of the same name, replaced the Arab terrorist villains with neo-Nazis so as not to offend the Council on American Islamic Relations (CAIR), a Muslim Brotherhood affiliate. The Fox network responded to complaints about its popular series “24” depicting Muslims in America secretly plotting terrorism by running public service announcements from CAIR portraying American Muslims as moderate and peaceful.

The book, Council on American-Islamic Relations: Its Use of Lawfare and Intimidation, has an entire chapter on how CAIR attempts to silence its critics in radio, television, and the film industry.

There will be those in Congress and the media who will argue against the return of anything resembling the old HUAC, contending that “McCarthyism,” or the anti-communist “witchhunt,” is the greater danger. The truth about McCarthy’s investigations is provided in the M. Stanton Evans book, Blacklisted by History: The Untold Story of Senator Joe McCarthy and His Fight against America’s Enemies.

It bears repeating that Senator McCarthy never had anything to do with the House committee or its investigation of Hollywood.

This book is a valuable contribution to understanding a dangerous time in American history when America’s elected representatives and the people themselves rallied to the defense of their homeland against these foreign and domestic enemies.

While it is worth noting that the veteran Hollywood actor and director Clint Eastwood has bypassed the censors at CAIR with “American Sniper,” this kind of film is the exception and not the rule. The film portrays the great sacrifices being made by U.S. military personnel in the Middle East as they combat an enemy that is depicted as savage and barbaric. It is based on the life of Chris Kyle, an Iraq War veteran and Navy SEAL who joined the Armed Forces to defend his country from Islamic terrorism.

Zaid Jilani, a “progressive” writer who left the Center for American Progress after being charged with anti-Semitism, has emerged as one of the film’s most vocal critics. A regular on the Kremlin channel Russia Today (RT) and the Muslim Brotherhood’s Al Jazeera, he insists the film about the “remorseless” sharpshooter has sparked “anti-Muslim bigotry,” and he complains about it becoming “a rallying point for the political right.”

However, he admits that Eastwood’s skill as a filmmaker could result in a “Best Picture” award for “American Sniper” and “Best Actor in a Leading Role” award for Bradley Cooper, who plays Kyle. He just can’t bring himself to admit that the pro-military and anti-terrorist message is also a major factor in its success. The Academy Awards take place on February 22.

Indeed, this is the fear from the modern-day “progressives”—that Hollywood will rediscover the box office appeal of American patriotism.

But according to the annual Reuters/Ipsos Oscars poll, if ordinary Americans voted for the Academy Awards, “American Sniper” would be the Best Picture winner. Those who wonder why we don’t get more pro-military and pro-American movies out of Hollywood should read Ryskind’s new book.